Get Carter (2000)
The American thriller film is a remake of the classic Michael Caine 1971 film of the same name. When Jack Carter returns home for his brother's funeral, he believe there must be some one after that accident causing his brother to die...
16 September 1952, Schenectady, New York, USA
17 March 1955, Cincinnati, Ohio, USA
30 July 1950, New York City, New York, USA
29 April 1978, Brampton, Ontario, Canada
14 March 1955, Truro, Nova Scotia, Canada
14 March 1933, Rotherhithe, London, England, UK
16 August 1974, Digby, Bear River, Nova Scotia, Canada
25 June 1970, Victoria, British Columbia, Canada
9 August 1976, Paddington, London, England, UK
29 November 1961, Detroit, Michigan, USA
27 January 1965, Aberfeldy, Perthshire, Scotland, UK
1963, New Zealand
27 April 1957, Edinburgh, Scotland, UK
3 March 1958, Southport, Lancashire, England, UK
8 November 1972, Deep River, Connecticut, USA
February 6, 1993 in Vancouver, British Columbia, Canada
4 October 1979, Minneapolis, Minnesota, USA
May 31, 2002
Muito falatório e pouca ação.
March 08, 2002
A few gem scenes buried in the rubble.
October 24, 2001
Get Carter ultimately lacks the courage of its convictions: it can't stand to be thought of as the pulp it so clearly is.
February 16, 2006
The original Get Carter (1971) is better, but this is quite watchable as far as modern-era remakes go.
January 01, 2000
Once again, [Stallone] cops out on shadows and dimension.
October 14, 2007
Stylized visuals add some spice, but they cannot overcome the formulaic and obvious screenplay, which is of no help to a film that is structured as a mystery.
January 01, 2000
Director Stephen Kay obviously spent an inordinate amount of time studying The Limey ... but he learned all the wrong lessons.
January 01, 2000
It's ... been shorn of all the edginess and seedy, unsentimental plot elements that made the original a revered cult classic.
June 15, 2002
Is it a zombie coming to alert us it's time to start shopping for a Halloween costume? No, it's just our old friend Sylvester Stallone, sleepwalking his way through a stillborn crime drama that belongs in a morgue, not in a movie theater.
January 01, 2000
It is not a terrible movie, and Stallone has appeared in far worse. It's just that, although diverting, it's too routine for its own good.
January 01, 2000
Moves along with virtually no rhythm, no suspense, and no spark from the morose, goateed star.
January 01, 2000
How does a numbing mishmash of a movie like this get made?
