Bullet To The Head
With many attractive situations, this movie is about some investigations. After watching his respective partners die, a New Orleans hitman and a Washington D.C. detective form an alliance in order to bring down their common enemy. Let's enjoy this movie to know detail.
9 January 1984, Warsaw, Mazowieckie, Poland
17 November 1966, New Orleans, Louisiana, USA
March 27, 1971 in Owensboro, Kentucky, USA
26 December 1970
3 September 1963, New York City, New York, USA
5 June 1980, London, England, UK
21 August 1962, Barrie, Ontario, Canada
20 April 1989, New Orleans, Louisiana, USA
9 March 1963, Huntington, West Virginia, USA
22 August 1967, Islington, London, England, UK
14 October 1970, New York City, New York, USA
1 August 1979, Honolulu, Hawaii, USA
October 05, 2013
The movie's titled Bullet to the Head, what the heck do you think it's going to be?
July 27, 2013
It says "revenge never gets old." Yeah, but Sylvester Stallone did. Yikes.
July 16, 2013
A big, dumb action film that charges forward believing Stallone is charismatic enough to sell even bad writing. He's not.
April 18, 2016
Stallone's dead eyes are betrayed only occasionally by glimmers of humanity: when he spares a would-be victim who happens to be in the wrong place at the wrong time, or when he takes vengeance upon a particularly bad bad guy.
February 02, 2013
Sylvester Stallone shoots people in the face. That's it for subtext in this formula action swill. Why do I sound like I should expect more. Because the credits list the director as Walter Hill.
July 14, 2016
Bullet to the Head is an adrenaline-fueled, rip-roaring good time that asks little of audiences while still managing to fill their most basic filmgoing needs.
February 01, 2013
Bullet to the Head doesn't try to adapt its star to 2013. It just pretends that we're still living in 1986. And for 91 minutes, it just about works.
February 04, 2013
On its own degenerate terms, the movie works.
April 09, 2016
A worthy callback to Stallone's glory days.
February 03, 2013
It's a series of fight scenes that build to a climax that is surprisingly unsatisfying in the way it ultimately plays out.
February 01, 2013
Stallone can still be entertaining, but here he's got no character to play, nothing fun to say, and the craziest hair/hairpiece/scalp growth this side of John Travolta.
February 04, 2013
Hill's eye for back alley scuzz is as strong as ever, but the story, adapted from a French graphic novel by Alexis Nolent, is so die-cut it gives neither him nor Stallone anything to work with.
