Assassins (1995)
The film is about Robert Rath, who recently arrived at a funeral to kill a prominent gangster. It looks like Robert is trying to watch a rival pistol rented with shocking results. In a short while, Robert faces a greater challenge, especially when he wants to meet the few other contracts before retirement, but Miguel tries to stop everything that happens.
16 October 1962, Coral Gables, Florida, USA
8 December 1948, Los Angeles, California, USA
26 July 1955, Cayey, Puerto Rico
20 July 1967, New York City, New York, USA
7 June 1938, USA
11 March 1960, Canada
15 November 1966, Ft. Lauderdale, Florida, USA
30 August 1981, San Juan, Puerto Rico
March 02, 2012
It's numbingly cold and pointless.
August 26, 2011
The further into the action we get, the more ludicrous things become.
August 17, 2011
...a decent 80-minute thriller that somehow manages to chug along for over two hours.
March 02, 2012
The plot becomes increasingly silly, and while some pleasure can be had in the improbable set pieces, this is not nearly as much fun as it should be.
May 20, 2003
Although he lets Assassins run on too long, Mr. Donner gives it a dependably slick big-budget style.
January 02, 2016
One of the worst big-budget action movies of its decade.
January 01, 2000
In addition to Stallone's inflexible facial expression, the film is saddled with a preposterous script and hideous dialogue. Plus, it weighs in at a too-long one-hundred thirty-two minutes.
March 26, 2009
A not-much-fun high-tech actioner.
March 02, 2012
The action is stilted and infrequent, reduced to indifferent gun play, car chases and one standout explosion when a gas main ignites.
June 24, 2006
An unusually serious, almost sombre thriller from the versatile action producer Joel Silver in which Stallone's a jaded assassin haunted by the past but unable to face the future.
January 01, 2000
This movie is filled with such preposterous impossibilities that Forrest Gump could have improved it with a quick rewrite.
September 07, 2011
There's so much dead air floating around in this icy-cool thriller that the director, Richard Donner, seems to be trying for an art-house version of his Lethal Weapon series (The 400 Blows to Your Head?).
