Timecop
This futuristic film follows the time-travel exploits of policeman Max Walker who must fend for his life against a shady politician who has a tie to his past.
11 June 1958, Melfort, Saskatchewan, Canada
5 July 1960, Burnaby, British Columbia, Canada
15 May 1948, Montreal, Quebec, Canada
24 March 1971
27 September 1963, Los Angeles, California, USA
5 May 1945, Calgary, Alberta, Canada
1964, Vancouver, British Columbia, Canada
28 December 1968, Wichita, Kansas, USA
13 February 1985
11 July 1950, San Antonio, Texas, USA
23 March 1963
9 June 1964, Toronto, Ontario, Canada
19 June 1967, Brooklyn Heights, New York, USA
14 September 1960, Sunderland, Tyne-and-Wear, England, UK
February 21, 2004
Filled with holes, gaps, and the ilk, it's a minor Van Damme, meaning there is some minor fun.
August 13, 2003
Waste of a great premise. They go back in time to 1994. Ooooh.
April 18, 2007
As time-travel pictures go, this Jean-Claude Van Damme vehicle is a passable but disappointing excursion into well-traveled terrain.
May 20, 2003
Years of tireless persistence have begun to work in Mr. Van Damme's favor. It's hard not to enjoy his energy, even if his acting gifts still leave a lot to be desired.
March 22, 2008
More fun than expected sci-fi, cop flick starring Jean-Claude for kicks.
April 12, 2002
Maybe it's the formula, maybe it's all that time travel, but you just can't help thinking you've seen it all before.
April 18, 2007
SF specialist Peter Hyams, doubling as usual as director and cinematographer, leaves his record for mediocrity unblemished in this silly time-travel tale.
January 26, 2006
Thanks to Hyams' professionalism, Timecop is a slickly-made, fast-paced and mildly-diverting B movie.
June 24, 2006
Hyams is no stranger to large-scale sci-fi, so his management of the massive sets and slightly mechanical fx is more than adequate.
July 16, 2010
This brainless romp [is] a real blast.
November 02, 2008
For the most part, Hyams' lackluster direction and the repetitive quality of the action sequences squander an intriguing premise and impressive production design, leaving few moments that elicit the sort of 'Wow!' response such fare needs in order to pros
