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Showtime

Description
This story begins when the two men are engaged in an adventure that looks completely different. That story begins when two completely different men are forced to join a new show of reality television program, and this may be an exciting show of many differences and clashes. The two men began to discover that their lives were turned upside down by a professional producer and a seemingly intrusive crew.
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CREATORS OF "Showtime"
Showtime
CRITICS OF "Showtime"
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Reel Film Reviews
Resource

February 25, 2003

...the real problem with Showtime is that, for a comedy, it's not nearly funny enough.
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Film Quips Online
Resource

February 08, 2003

Pairing no-nonsense actor Robert De Niro and comedy king Eddie Murphy may have been a clever idea rife with possibilities, but they are working for a creative team that ultimately misses its own point.
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Laramie Movie Scope
Resource

October 10, 2002

Shatner is probably the funniest person in the film, which gives you an idea just how bad it was.
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Courier-Journal (Louisville, KY)
Resource

June 25, 2004

Throughout the movie, De Niro scowls and looks as if something smells bad -- and something does. It's the script.
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Washington Post

March 15, 2002

So pleased with its own spoofy conceit it stays in annoyingly self-amused, predictable mode.
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Common Sense Media

December 28, 2010

A funny movie for adults and older teens.
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Washington Post

March 15, 2002

It's not so much the generally preposterous premise as it is its sloppy handling that completely unhinges the film.
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Village Voice
Resource

March 19, 2002

90 punitive minutes of eardrum-dicing gunplay, screeching-metal smashups, and flaccid odd-couple sniping.
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MovieFreak.com
Resource

June 19, 2003

What can you say when the best thing about a movie is William Shatner playing himself and parodying his own persona?
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Ebert & Roeper

March 19, 2002

This has the feel of something that was written by committee and it's all been done before.
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USA Today

March 15, 2002

... Showtime isn't much of a show at all.
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Chicago Tribune

July 20, 2002

The thinness of the conception gives the actors so little room to maneuver that they turn in uniformly one-note performances.
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