Beverly Hills Cop 3
When Detroit cops' boss his killed, officer Alex Foley uncovers evidence that the killers run a counterfeit money ring in L.A called Wonder World.
June 12, 1928 in New York City, New York, USA
6 November 1931, Birmingham, Alabama, USA
7 December 1972, Houston, Texas, USA
23 July 1909, St. Louis, Missouri, USA
27 January 1941, Simi Valley, California, USA
19 April 1954
22 June 1973, Hollywood, Florida, USA
7 February 1957, Los Angeles, California, USA
May 30, 1963 in Torrance, California, USA
6 January 1968, Los Angeles, California, USA
5 August 1935, Brooklyn, New York, USA
10 June 1947, Los Angeles County, California, USA
22 December 1951, USA
4 September 1966, Tahlequah, Indian Territory, USA
3 February 1948, El Paso, Texas, USA
February 3, 1947 in Antigonish, Nova Scotia, Canada
1 January 1959, California, USA
1 December 1952, Waterloo, Iowa, USA
May 02, 2014
Beverly Hills Cop III is resoundingly joyless.
May 02, 2014
The movie is like an advertisement for the 19 recently banned assault weapons.
May 02, 2014
Beverly Hills Cop III -- a movie trying to exploit what's left of a 10-year-old idea -- has some nerve satirizing Disney World's money-grubbing commercialism.
May 02, 2014
Really quite awful.
May 02, 2014
The movie... isn't nearly as fresh as the first Cop flick was. But I must admit that it's a whole lot more enjoyable than the contemptible crashathon known as Beverly Hills Cop II.
May 02, 2014
Looks like it's time for Axel Foley to hang up his Detroit Lions jacket and retire his badge and gun.
May 02, 2014
Eddie Murphy needs to shoot off his mouth. It's his best weapon, and the one that's unique to his arsenal. When a movie mostly requires him to shoot off a gun he becomes just another action star, and another talent wasted in lazily miscalculated material.
May 02, 2014
Landis relies on routine action -- and cameos by such noted filmmakers as George Lucas, John Singleton, Martha Coolidge and others -- to hide the fact that there's no engine under his movie's hood.
May 02, 2014
Murphy's trademark delivery is still impudently subversive, but it's too often wasted on unworthy opponents.
May 02, 2014
The mix of violence and laughs never gels, the rejoinders are snapless, the pace slack.
May 02, 2014
Steven E. de Souza's script has Foley following a trail of murder and deception into an L. A. amusement park called WonderWorld. The director, John Landis, fails to exploit the possibilities.
May 02, 2014
It's one of the most cynically engineered sequels ever.
