Lethal Weapon 4
Martin Riggs and Roger Murtaugh are put on a hit list by The Triads. When blood thirsty mercenaries are on their tail, they team up again with Leo Getz and Lorna Cole, a newcomer, to finally put an end to the Triads for good.
1961, Plainfield, New Jersey, USA
1960, Singapore
8 February 1949, Hong Kong
1937, Zhongshan, Guangdong, China
1959, Hong Kong
17 June 1955, Inglewood, California, USA
28 October 1957, San Jose, California, USA
30 March 1968, Vienna, Austria
19 March 1926, Chicago, Illinois, USA
31 July 1956, New York City, New York, USA
22 May 1946, Philadelphia, Pennsylvania, USA
28 December 1917, Guangdong, China
30 September 1952
2 September 1954, Tuba City, Arizona, USA
6 August 1926, East Haven, Connecticut, USA
1 November 1964, Long Beach, California, USA
August 25, 2008
Cynical and contemptuous of its audience, this lazy sequel oozes an insufferable air of self-satisfaction.
August 25, 2008
You're best advised to put your head in the sand and avoid all three sequels.
May 24, 2012
With 'Lethal Weapon 4' we find the silliest and most sentimental of the bunch.
June 18, 2002
One could argue about which Lethal Weapon is the best, but No. 4 is certainly the funniest, warmest and most idiosyncratic.
August 12, 2012
If not for Jet Li, Lethal Weapon 4 would actually be worse than Lethal Weapon 3.
April 12, 2002
The relationship/humour stuff in Lethal Weapon 4 is pretty much excruciating, mawkish and inane... The second part of Lethal Weapon 044,the action sequences, are much better.
August 25, 2008
It matters little that the film is rife with non sequiturs, nonsense and nihilistic violence, because its heroes are so darn buoyant and charming.
January 01, 2011
Hong Kong action plus buddy cop formula.
June 24, 2006
The climactic streetfighting clash between Mel and coldly charismatic martial arts star Jet Li is a bone-crunching classic.
February 14, 2001
There's no plot worth describing, no repartee wittier than 'Oh shut up,' no acting moments that rise above the level of posing.
August 25, 2008
Mindless, sadistic violence juxtaposed with rote sentimentality: this is how Hollywood has finally solved the family-values conundrum, the question of how to entertain the blood- and sex-starved masses and be morally proactive at the same time.
