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Frost/Nixon
CRITICS OF "Frost/Nixon"
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Justin Stewart
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October 28, 2014

Howard has successfully made an okay, watchable movie, kept from greatness only by his undying artistic blandness.
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Matt Soergel
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October 28, 2014

Frost/Nixon is smart and involving, a thoroughly grown-up and carefully made drama about the real-life, on-air showdown between a lightweight TV personality and a disgraced ex-president.
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Clint O'Connor

October 28, 2014

Both leads are outstanding. Langella is especially mesmerizing as the calculating grand manipulator. It's not an impression of the former president, but a piece of his essence.
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Lee Grant
Resource

October 28, 2014

It's a credit to the actor that by the end, Langella is living, it seems, in Nixon's skin.
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Dave Calhoun
Resource

January 23, 2009

The outcome isn't half as conflicted as you might imagine, though it's hard to argue that Howard brings anything new to Morgan's play.
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Brian D. Johnson
Resource

October 28, 2014

The movie is essentially a chamber piece pivoting on two beautifully nuanced performances.
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J. R. Jones
Resource

December 25, 2008

All this makes for great entertainment on the big screen, though the real legacy of the Nixon interviews is more vexing than Morgan would have us understand.
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Christy Lemire
Resource

October 28, 2014

You never feel like you're watching a play on film: The way Morgan has opened up the proceedings in his screenplay feels organic under the direction of Ron Howard, who has crafted his finest film yet, and one of the year's best.
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Fionnuala Halligan

October 28, 2014

The magnificently-flawed former US president Richard Milhous Nixon, as embodied by Frank Langella, is a magnetic presence in Ron Howard's adaptation of Peter Morgan's stageplay.
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Richard Roeper
Resource

February 08, 2009

Nixon is infinitely more complex than George W. Bush, which is probably why this one slice of his life is more intriguing than "W," which covers decades.
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Calvin Wilson
Resource

December 25, 2008

Plays often lose their energy when adapted for the screen. But even on the stage, Frost/Nixon had a cinematic dynamism, and Howard has only enhanced that quality.
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Tom Charity
Resource

October 28, 2014

In its glib and reductionist way, it works like a charm. Or better yet, like television. Which, finally, is a compliment.
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