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Mad Men - Season 7
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Mad Men - Season 7 Episode 4: The Monolith

Description
Don attempts to return to his advertising agency after being put on indefinite leave following a meltdown in the middle of a client meeting. Eventually, his status at the firm becomes the focus of a bitter power struggle between Roger and Jim, both of whom want to take Sterling Cooper & Partners in radically different directions. The highly anticipated series conclusion will, for the last time, follow the complex lives of Don, Peggy, Roger, Joan, Betty and Pete as their stories come to an end. It's the End of an Era.  
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Mad Men - Season 7
CRITICS OF "Mad Men - Season 7"
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TV Equals
Resource

January 04, 2015

Throughout the episode, the shrew-ing of Peggy Olson continued. She went from being insecure and irritating to now being a total nightmare. I'm starting to question why the show is taking her down such a dark path.
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indieWire
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January 04, 2015

Unlike most of what came before on Mad Men, most of this episode wasn't made to be an enjoyable effort to decode -- it was laid out as directly, if not more so, as any episode yet to air. But did it have to feel so lifeless?
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Wired
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January 04, 2015

It's not the series' greatest Stanley Kubrick homage, but "The Monolith" is almost certainly titled in reference to the towering black engines of evolution that punctuate the great director's 2001: A Space Odyssey.
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Film School Rejects
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January 04, 2015

Overall, "The Monolith" is an unbelievably strong hour of Mad Men. No huge movements of plot or dramatic twists, but something just as exciting: a sense of urgency.
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New York Observer
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January 04, 2015

"Boring" is a strong word, so let's just say last night's Mad Men was no fun. This entire season has been devoid of joy.
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TheWrap
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January 04, 2015

Sunday's "Mad Men" found Don Draper back where he started: writing tag lines, this time under the supervision of his former secretary. The show's exit music nicely captured how much he's spinning in circles.
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Paste Magazine
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January 04, 2015

This week's episode was easily the most heavy-handed in the metaphor department, but for some reason... none of it felt trite.
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New York Daily News
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January 04, 2015

An unsettling episode for viewers. More unsettling for Don, Roger and Peggy, all of whom slammed into unpleasant truths they'd have preferred to avoid. The last scene felt like the writers saying, "We gotta give 'em SOMETHING that's a little hopeful."
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