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HEROES OF "Why Stop Now"
Why Stop Now
CRITICS OF "Why Stop Now"
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ScreenCrush
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August 21, 2012

The alleged comedy 'Why Stop Now' is here to prove that when it tries really, really hard to be awful it can overcome the obstacle of having a terrific cast.
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Hollywood & Fine
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August 17, 2012

Boasts such a diverse cast of recognizable faces that you have to wonder where it all went wrong..a half-hearted tale that should land with more impact than it does.
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honeycuttshollywood.com
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August 16, 2012

Each actor is adept at twisting a line or bit of spectacular illogic so gasps turn to laughs.
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Paste Magazine
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August 23, 2012

An odd mix of blatantly comedic moments and strangely serious scenes, Why Stop Now finds itself stranded on an odd middle ground between comedy and drama.
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New York Times

August 16, 2012

As "Why Stop Now?" gathers momentum, the increasingly uneasy sensation it produces is not unlike that of being in the back seat of a speeding car whose drunken driver refuses to give up the wheel.
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Quickflix
Resource

March 04, 2014

It descends into a series of mawkish, over-melodramatic scenes that are entirely unearned and often unpleasantly noisy. It's never especially funny or dramatic and leaves the viewer feeling unsure of what the filmmakers were really trying to achieve.
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NPR
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August 16, 2012

Why Stop Now refuses to keep faith with its characters, to carry them as far as they can go without tying them up in a neat bow of redemption.
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New York Post
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August 17, 2012

Drug abuse stories are to Hollywood what babies are to mothers: fascinating to the talkers, not so interesting for their audiences.
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Common Sense Media
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August 21, 2012

Young man's very bad day includes drugs, swearing, more.
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Los Angeles Times
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August 16, 2012

Feels trapped in the limbo between comedy and drama where many indies gamely venture, but from which few emerge with any resonance.
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New York Daily News
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August 16, 2012

This comic drama tries too hard to serve up a slice of manic life, but Eisenberg, along with Tracy Morgan and Isiah Whitlock Jr. as the affable druggies, provides some spark.
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Minneapolis Star Tribune
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September 06, 2012

First-time directors Phil Dorling and Ron Nyswaner can't find a coherent emotional tone, and the actors' energetic contortions can't keep the sinking story afloat.
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