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CREATORS OF "Volcano"
Volcano
CRITICS OF "Volcano"
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sbs.is

February 02, 2008

not mean to be taken seriously
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TheMovieReport.com
Resource

October 03, 2005

[The characters] aren't people; they're mere objects to stick in front of the flowing lava.
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Reeling Reviews
Resource

April 09, 2005

The star is, of course, the volcano effects. Seeing the coast become toast may be the biggest draw for audiences to this routine F/X extravaganza.
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Reel Film Reviews
Resource

March 24, 2017

The fairly anticlimactic final stretch ensures that Volcano concludes on a less-than-engrossing note...
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USA Today

January 01, 2000

Hundreds of screen technicians obviously slaved on the effects -- and for what? A dopey subplot about a bogus arrest. Soap opera involving Jones' injured daughter.
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We Live Entertainment
Resource

May 23, 2017

Volcano was really ahead of its time and time still hasn't caught up. In Volcano they thought of ways to stop the lava. They weren't going to give up L.A. You don't cast Tommy Lee Jones as the chief of emergency services and ask him to run.
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New York Times

January 01, 2000

Like the substantially better Twister, this film insists on a thunderous, exhausting pace that inevitably becomes deflating.
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Time Out
Resource

January 26, 2006

Jones and Heche work hard to dig up an emotional rapport from next to nothing, while the slow but inexorable progress of the lava makes for more suspense than the usual slam bang firework display.
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Boston Phoenix
Resource

September 05, 2009

Pre-millennium tension is still the best explanation for the recent tidal wave of disaster movies--which hasn't made it any less boring.
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Los Angeles Times
Resource

February 14, 2001

The coast may be toast, but it's the lava, covering everything like a malevolent tide of melted butter, that makes this a disaster picture that's tastier than usual.
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Salon.com
Resource

January 01, 2000

A flatulent blast of superheated air from the seething bowels of Hollywood...
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Variety

March 26, 2009

Never generates a head of true excitement, partly because the characters remain constructs designed to perform defined functions, and partly due to the time-worn hokiness of the whole disaster-film format.
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