The Thomas Crown Affair (1968)
Young businessman, Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover because he’s in love.
19 December 1924, The Bronx, New York, USA
26 June 1924, Zion, Illinois, USA
5 September 1915, Worcester, Massachusetts, USA
6 October 1933, Philadelphia, Pennsylvania, USA
12 July 1930, Grand Falls, Newfoundland and Labrador, Canada
15 June 1942, Los Angeles, California, USA
6 April 1929, Bisbee, Arizona, USA
21 August 1924, Cleveland, Ohio, USA
25 October 1926, New Haven, Connecticut, USA
20 August 1936, Fillmore, Utah, USA
14 January 1941, Bascom, Florida, USA
23 August 1920, Israel
26 May 1929, Nottingham, England, UK
15 November 1939, New York City, New York, USA
23 February 1921, Belmont, Massachusetts, USA
24 March 1930, Beech Grove, Indiana, USA
12 June 1928, Oakland, California, USA
October 31, 2007
McQueen is charming, reads his lines well, and shows that he isn't just another short actor with an interesting face.
July 21, 2007
Delightful.
June 29, 2005
stylish caper thriller
May 21, 2009
Surface gloss is what you get in this caper-romance.
June 24, 2006
A sad product of its times.
August 11, 2012
Made at the height of Steve McQueen's popularity, this romantic heist thriller contains one of the sexiest scenes in a Hollywood film.
May 09, 2005
There are a lot of good things.
March 26, 2009
The Norman Jewison film tells a crackerjack story, well-tooled, professionally crafted and fashioned with obvious meticulous care.
October 31, 2007
Flimsy but great fun.
October 31, 2007
It's no doubt dated now, and the multiscreen graphics won't make any sense on a pan-and-scan video version, but this heist movie starring Steve McQueen and Faye Dunaway was considered pretty hot stuff back in 1968.
October 23, 2004
Possibly the most under-plotted, underwritten, over-photographed film of the year.
June 26, 2017
Jewison continues to prove himself among the most facile and appropriative of the two-dimensional directors ...
