The Last Shot
An undercover FBI agent working on a mob sting operation so he pretends to be a producer.He met a director who is so happy to finally find a producer to his new project
4 December 1965, Devils Lake, North Dakota, USA
7 June 1966, New Providence, New Jersey, USA
7 November 1964, Birmingham, Alabama, USA
18 January 1951, Phoenix, Arizona, USA
7 September 1963, Murray, Kentucky, USA
18 December 1954, Newark, New Jersey, USA
20 January 1951, Texas, USA
September 30, 1979 in New York City, New York, USA
30 January 1965, Rhode Island, USA
3 July 1980, Walnut Creek, California, USA
10 November 1939, Pine Ridge, South Dakota, USA
23 October 1939, Billings, Montana, USA
29 May 1949, New York City, New York, USA
May 16, 2005
The story tries to make up for its lack of laughs by offering a series of quirky characters and bizarre moments, a tactic that works for a while but runs out of steam....
May 13, 2005
...never quite becomes anything more than a marginally entertaining way to kill 93 minutes.
January 27, 2005
There must be a story behind the orphaning of this odd, insidery Hollywood comedy reputedly based on a true story.
May 25, 2005
It's got some really solid actors and even a fairly amusing premise ... so where are all the laughs?
September 24, 2004
It's all very loose and, while occasionally diverting, doesn't really add up to anything.
July 22, 2005
The Last Shot is a fun movie that didn't make much of a splash.
September 24, 2004
A funny hybrid of Hollywood satire and mob comedy.
September 30, 2004
Appealingly cheesy, a tribute to the hope that springs eternal in the hopelessly inept.
May 23, 2005
Divertido em seu humor ingênuo e inofensivo, conquista principalmente graças ao carisma da dupla principal.
September 28, 2004
Planned inanity never gets mad mad mad mad enough, and insider jabs like "I'm not a fake, I'm a director!" don't have the desired zaniness.
September 24, 2004
A ripped-from-the- headlines story rendered with wit, imagination and no small amount of moxie.
October 14, 2004
The Last Shot doesn't crackle and pop, but the send-up of Hollywood and the government gets off some good lines and generally endears itself with a kind of earnest scattershot loopiness.
