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CREATORS OF "The Hit"
The Hit
CRITICS OF "The Hit"
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Filmcritic.com

April 06, 2009

transmits an alien grip on atmosphere and tone that keeps one enthralled even as it ponders the very basis of being
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Ozus' World Movie Reviews
Resource

August 29, 2004

The film is not as good as the Eric Clapton music in the background.
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eFilmCritic.com
Resource

June 14, 2009

'The Hit' gives the great Terence Stamp what is arguably his best role.
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Time Out
Resource

June 24, 2006

All in all, a very palpable hit.
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Movie Metropolis
Resource

July 29, 2009

Superb acting from Hurt and Stamp is enough to smooth over any rough patches.
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New York Times

August 30, 2004

These guys don't have to use guns. All they have to do is open their mouths and bore each other to death.
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Los Angeles Times
Resource

September 15, 2015

"The Hit" is something special: thoughtful, perfectly performed and carrying the clear stamp of an extremely interesting director.
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Q Network Film Desk
Resource

May 11, 2009

really more of an exploration of the disjunction between exteriors and interiors, and while some may find it slow-going, those who see it for what it is will find it an intriguing portrait of human nature
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Variety
Resource

July 06, 2010

Frears and writer Peter Prince have taken a potentially familiar tale of a gangland betrayal and revenge and made something richly inventive and most entertaining.
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TV Guide
Resource

September 15, 2015

Besides having a superb screenplay, Frears is blessed, here, with an unparalleled cast. Both Hurt and Stamp are as good as they've ever been, while the very young Tim Roth makes a very promising debut.
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Washington Post
Resource

September 15, 2015

It is a dexterously balanced killer thriller by the idiosyncratic Frears, whose every scene becomes a matter of life and death. A lighter clicks, a gun clicks; life or death, it all sounds the same.
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