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The Hills Have Eyes
A suburban American family is being stalked by a group of psychotic people who live in the desert, far away from civilization.
17 August 1951, Montréal, Québec, Canada
17 December 1972, London, England, UK
27 April 1987, Bogotá, Colombia
27 December 1976, Westford, Massachusetts, USA
29 May 1957, Bellaire, Ohio, USA
27 December 1981, Mount Eliza, Victoria, Australia
19 November 1954, Pasadena, California, USA
2 November 1957, Alpena, Michigan, USA
19 July 1976, Los Angeles, California, USA
3 January 1938, Denver, Colorado, USA
30 November 1945, Hugoton, Kansas, USA
20 November 1985, Marietta, Georgia, USA
15 March 1963, Pittsburgh, Pennsylvania, USA
August 30, 2009
Of considerably richer interest than the revampings of The Texas Chainsaw Massacre and The Fog, not the least for having American-heartland horrors viewed through foreign glasses
July 15, 2008
It is an artfully crafted exercise in high-octane style, bolstered by a stronger cast than most horror films could ever hope to assemble, but it's a bitter, sleazy little pill that leaves an ugly aftertaste.
July 03, 2008
Some say this remake is better than the original, but it ain't so.
February 16, 2013
On the strength of their 2003 slasher flick, High Tension, Craven hired director-writer Alexandre Aja and writer Grégory Levasseur, and the result is one of the most exhilarating, intense, and engrossing Hollywood shockers ever made.
March 10, 2006
... a blast.
October 06, 2014
Falls into the trap of delivering its relentless arsenal of painful images with almost sedated enthusiasm. The movie has no venom.
March 10, 2006
These Hills are more to be endured than enjoyed.
March 10, 2006
... Aja and his gorehound ilk are making movies that simply wallow in state-of-the-art displays of torture, sadism and sexual humiliation.
May 26, 2012
Still not a perfect film, but it's still superior to the original.
March 10, 2006
... a brilliantly reimagined version of Wes Craven's 1977 micro-budget horror classic ...
March 10, 2006
When its makers, director Alexandre Aja and his co-writer Gregory Levasseur, apply the fresh gloss to the old grit, they remember to apply the thinnest layer possible without skimping on the roughhouse humor.
March 20, 2006
It's just nasty.
