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The Art Getting By
Believing the quote that you are born alone, die alone and everything else is an illusion, George doesn't see the point of life, school, or homework. He then is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
30 September 1944, Galway, Ireland
15 June 1975, Bloomfield, Michigan, USA
4 September 1977, New York City, New York, USA
3 February 1964, Honolulu, Hawaii, USA
25 August 1964, Tacoma, Washington, USA
30 January 1956, Holyoke, Massachusetts, USA
10 February 1991, Rhinebeck, New York, USA
16 December 1961, New York City, New York, USA
26 October 1956, Los Angeles, California, USA
14 May 1990, Los Angeles, California, USA
4 October 1976, San Francisco, California, USA
14 February 1992, Camden Town, London, England, UK
3 December 1987, Brooklyn, New York City, New York, USA
September 13, 2011
None of this first feature from writer-director Gavin Wiesen rings true, and most of it is preposterous and self-conscious.
December 29, 2011
An easygoing film that's not as quirky as it wants to be and does just enough to make you glad you watched.
June 17, 2011
For anyone not in a similar state of age-related solipsism - i.e., anyone outside the 16- to 25-year-old age bracket - this is more than a little annoying.
January 04, 2013
Gets by. Barely.
June 17, 2011
There are several lessons to be learned in "The Art of Getting By," though all arrive too late to save this well-meaning but dreadfully executed movie.
June 17, 2011
The Art of Getting By wants to be sweet and insightful, but ends up scattered and slight.
December 13, 2011
This film tries to be a rallying cry for the disenfranchised youth of today. Not being a disenfranchised youth of today, it was mostly lost on me.
June 17, 2011
A dull yet extremely self-important drama about rich, badly parented kids who feel sorry for themselves.
March 02, 2013
Excellent performances by Freddie Highmore and Emma Roberts make this one an enjoyable watch.
June 17, 2011
The vapidity of The Art of Getting By goes beyond the anthill-sized dramatic stakes. The dialogue, while occasionally epigrammatic, is tone-deaf to individual speech rhythms.
