Shall We Dance
John Clarke is a real estate lawyer in Chicago and seems to love his wife Beverly, but John seems to feel he has misdiagnosed his wife but his life because of the constant work of his wife. After a long time, John fell in love with another girl, a dancer named Paulina. His love story begins with that girl returning home on a train every day. John notices a beautiful young contemplative girl who often emerges from a studio window at Miss Mitzi's dance studio. John began to feel the direction of Paulina a different feeling. As Paulina is one of the coaches and dancer of a world class, John began to learn mass dance lessons that could change his life forever amid the turmoil he faces in his life.
30 September 1978, Dallas, Texas, USA
17 August 1978, Canada
4 May 1947, DeKalb, Illinois, USA
17 July 1973, Pristina, Serbia, Yugoslavia
8 October 1980, San Diego, California, USA
October 18, 2008
Inevitably this film will be compared to its predecessor, and it simply can't win.
September 04, 2007
Not as good as the original, but enjoyable nonetheless.
December 30, 2006
It's rather cute, but only the truly girly will fall for the decidedly Officer And A Gentlemanly denouement that injects a belated sexy note.
December 29, 2008
Touches to make 'hip' what should be an unabashedly square story--such as the casting of Nick Cannon in a supporting role and an out-of-nowhere cameo by Ja Rule--more jar than gel.
October 15, 2004
Occasionally charming but ultimately forgettable bit of fox-trot fluff.
December 28, 2010
Cute romance that is marred by homophobia.
October 15, 2004
Takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good Big Stupid American movie.
October 21, 2004
Under the clunky direction of Peter Chelsom, while forced to mouth inane dialogue by Audrey Wells ... a swell bunch of troupers get mangled in a monsoon of clichés.
October 18, 2008
This excellent and acclaimed cast is shoved into a film whose screenplay should have alerted them that it's not ready to go before the cameras.
October 19, 2004
There are so many appealing performers in Shall We Dance? that it's a crime the director, Peter Chelsom, and the screenwriter, Audrey Wells, haven't given them more to do.
October 15, 2004
Turns a sweet, lilting story into a clunky, clichéd and tedious movie sitcom.
June 24, 2006
Offers attractive, inoffensive characters and a smattering of broad laughs, but it fails to use its potential to explore weightier themes such as John's mid-life crisis.
