Scooby-doo
Series of misadventures for Fred, Daphne, Velma, Shaggy and Scooby who soon realize that they cannot solve this mystery without help from each other.
17 December 1970, Pasadena, California, USA
20 June 1967
25 December 1958, Manchester, England, UK
2 March 1973, Dehiwala, Sri Lanka
15 March 1968, Hartford, Connecticut, USA
16 March 1951, Lordsworth, Warwickshire, England, UK
14 November 1978, Wellington, New Zealand
23 December 1963, Teaneck, New Jersey, USA
1 October 1966, Poplar Bluff, Missouri, USA
1 July 1967, Ladysmith, British Columbia, Canada
13 February 1969, Philadelphia, Pennsylvania, USA
25 June 1975, Redwood City, California, USA
October 05, 2005
O roteiro é, na melhor das hipóteses, medíocre, mas o charme dos personagens acaba se refletindo na tela grande.
January 12, 2004
Far more dull and just plain dumb than it ever is funny.
November 19, 2010
What really makes this movie special is Matthew Lillard's inspired performance as Shaggy. It's not only a dead-on impersonation of the cartoon character, but it also comes with a certain kind of unique joy and a genuine soul.
June 18, 2002
Much funnier than it has any right to be, and filled with just enough inside jokes to please longtime fans of the cartoon franchise.
December 28, 2010
Too scary for most kids, too dumb for most teens.
June 18, 2002
The movie drags, and the occasional bursts of mirth and self-referential humor can't save it from bogging down.
June 19, 2002
The acting is stiff, the story lacks all trace of wit, the sets look like they were borrowed from Gilligan's Island -- and the CGI Scooby might well be the worst special-effects creation of the year.
April 29, 2009
"Scooby Doo" really didn't need a big screen adaptation, and this terribly unfunny, weird live action variation proves it.
June 18, 2002
As this movie knows what it is, Scooby-Doo's a relatively painless 85 minutes.
June 16, 2002
The source material here is flimsy to begin with, and neither Gunn nor Gosnell seems to know how to flesh it out.
July 20, 2002
Scooby-Doo knows when to take itself seriously and when to laugh at itself -- even if its audience isn't laughing along at every gag.

