Mickey Blue Eyes
English art dealer Michael Felgate (Hugh Grant) is dumbfounded to learn that his girlfriend, Gina Vitale (Jeanne Tripplehorn), cannot accept his marriage proposal because her entire family is involved with the Mafia. Undeterred and in love, Michael meets Gina's father, mob boss Frank (James Caan), who immediately takes a shine to the young suitor. But before he can give his blessing, Frank has plans for Michael that may or may not end in wedding bells.
5 August 1962, Quincy, Massachusetts, USA
14 July 1946, Bronx, New York, USA
26 November 1939, Philadelphia, Pennsylvania, USA
15 February 1959, Brooklyn, New York, USA
12 April 1976, Long Island, New York, USA
18 June 1948, Providence, Rhode Island, USA
19 May 1944, East Harlem, New York City, New York, USA
15 August 1970, New York City, New York, USA
8 November 1968, Canton, Ohio, USA
11 May 1960, Massapequa, Long Island, New York, USA
13 December 1955, St. Louis, Missouri, USA
16 October 1954, New Haven, Connecticut, USA
5 August 1973, Dallas, Texas, USA
1972, USA
13 March 1970, Massachusetts, USA
July 18, 2008
Gets bogged down in the kind of tangled-web humor that should have died out with Three's Company.
June 25, 2004
As a moviegoer, I never dreamed I would yearn for Leslie Nielsen.
January 01, 2000
The film is as insulting as taking the queen to the Olive Garden.
December 26, 2010
Messy movie. Not much for teens here.
January 01, 2000
Atrocious!
December 14, 2016
An agreeable if forgettable comedy...
January 01, 2000
Preposterously convoluted plot twists!
January 01, 2000
Mickey is a limply derivative, disappointingly trivial and hokey fish-out-of-water crime comedy!
November 24, 2009
The love story is ill-served by all directly involved.
January 01, 2000
Eventually, the movie reaches a point where sheer plot contrivance is the only way out, and a lot of steam is lost when the FBI gets involved and the actual wedding ceremony approaches.
January 01, 2000
Grant should consider hypnotic therapy to help him forget Mickey Blue Eyes!
January 01, 2000
The second half is a mess, full of characters going off in directions we're not prepared for and rogue plot devices that seem either to have been planned for and then forgotten, or added as an afterthought.
