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Maximum Risk
It is a collection of events that are reported on the incident involving the man who recently died in the pursuit of a failed car. He seems to be the twin brother who never knew him, so a policeman replaces his twin brother. Now, that policeman has inherited his problems and his beautiful girlfriend to go secretly to avenge his brother's death in a short time.
8 November 1932, Versailles, Seine-et-Oise [now Yvelines], France
17 April 1961, London, England, UK
30 July 1963, Port Hope, Ontario, Canada
3 January 1959, New York City, New York, USA
1 April 1968, Kingston, Jamaica
13 June 1962, Welland, Ontario, Canada
September 25, 2003
For sweet bloody thrills, this one beats the summer blockbuster competition hands-down.
May 20, 2003
Villains curl their upper lip and snarl in bad Russian accents, while Van Damme bungles four-word sentences.
April 27, 2003
Premium Van Damme...Henstridge is eye-poppingly appealing
August 20, 2008
...the movie has some good moments of intrigue and adventure, and with a more charismatic hero it might have worked better.
February 14, 2001
Lam not only handles the bravura action set pieces with ease but also a capable international cast as colorful and varied as the film's many locales.
November 02, 2008
The plot holds together pretty well, which is not always the case in Van Damme's movies, and does not require the concoction of labored explanations for his pronounced accent.
January 01, 2000
It just simmers down, becoming an embarrassing exercise in the pointless and predictable.
June 24, 2006
A standard Van Damme pic, competently assembled but with little of the manic edge found in director Lam's Hong Kong movies.
August 13, 2008
The energetic action isn't quite enough to overcome an undernourished story. [Blu-Ray]
January 22, 2002
There are so many car crashes in Maximum Risk that Van Damme ends up playing second fiddle to an ever-expanding salvage operation.
January 01, 2000
Action flicks should be fun, and this one is a bloody bore.
July 08, 2008
It's a visceral delight that refuses to be deterred by niceties of plot or character consistency and prefers sweat to emotion.

