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Journey to Italy
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HEROES OF "Journey to Italy"
Journey to Italy
CRITICS OF "Journey to Italy"
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Guardian
Resource

May 09, 2013

There is real greatness in this movie.
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Little White Lies
Resource

May 09, 2013

An influence on everyone from Michelangelo Antonioni to Jacques Rivette, this brave work still stands as a watershed.
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Slant Magazine
Resource

April 29, 2013

Befitting a filmmaker who defined as well as challenged the definition of Italian neorealism, it unfolds simultaneously as thorny narrative and profoundly personal documentary.
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Observer (UK)
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May 12, 2013

Rossellini's bitterly acute account of the death throes of bourgeois marriage in general and his own marriage to Ingrid Bergman in particular.
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Time Out
Resource

April 30, 2013

Voyage to Italy is the kind of movie that makes those unhappily in love feel understood. And even if that's not you (congratulations), it's still possible to groove on Rossellini's stranger-in-a-strange-land psychodrama.
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Radio Times
Resource

May 16, 2013

If one accepts the narrative simplicity and that the journey is both physical and spiritual, the film offers many rewards.
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Village Voice
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April 30, 2013

Voyage to Italy is close to watching actual strangers suffer loneliness despite being together. It can leave an aching bruise, but only if you're paying attention.
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Boston Globe
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June 20, 2013

You might not want to bring along someone you love, because you could end up leaving the theater alone.
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London Evening Standard
Resource

May 10, 2013

In the end the film magnificently justifies its classic status as an affirmative statement about relationships.
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Time Out
Resource

May 08, 2013

Rossellini stealthily ushers us towards a sense of heady affirmation so primal that 'romance' isn't a strong enough word for it.
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Canada.com
Resource

September 05, 2013

Journey To Italy is a searing portrait of love turning sour under the Neapolitan sun and a bold adventure in a new kind of filmmaking.
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New Yorker
Resource

August 31, 2015

One of the most quietly revolutionary works in the history of cinema, Roberto Rossellini's third feature starring Ingrid Bergman (his wife at the time), from 1953, turns romantic melodrama into intellectual adventure.
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