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I Think We're Alone Now
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I Think We're Alone Now

Description
An emotional and science fiction film that takes after Del, the last survivor after the end of the world, or this is the thing that he thought before seeing Grace, another survive yet she is a peculiar girl with strange practices, the thing that leads her to get into clashes with Del after they consented to go with one another.
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HEROES OF "I Think We're Alone Now"
I Think We're Alone Now
CRITICS OF "I Think We're Alone Now"
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Film Journal International
Resource

September 14, 2018

Descends into illogic and inscrutability.
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Film School Rejects
Resource

August 13, 2018

[Peter] Dinklage's magnetism in these opening moments pave the way for what becomes a beautifully cathartic meditation on the nature of loneliness.
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Slashfilm
Resource

August 13, 2018

Quiet, reflective, and intimate, I Think We're Alone Now is an exceptional exhibition for Dinklage and Fanning and a further illustration of the dynamic talent of filmmaker Reed Morano.
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The Movie Cricket
Resource

September 20, 2018

I Think We're Alone Now is still three-quarters of a good movie, and worth the view if one adjusts one's expectations down a few notches.
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Los Angeles Times
Resource

September 12, 2018

There's nothing here about the necessary rudeness of companionship that wasn't more entertainingly addressed in the first episodes of the comedy series "The Last Man On Earth."
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Common Sense Media
Resource

September 20, 2018

Strong language, drinking in post-apocalyptic drama.
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AV Club
Resource

September 10, 2018

Morano's film wants to examine the emotional consequences of immersing oneself in trauma, but Makowsky's script merely paws at the edges of the idea rather than diving into the knottiness of it.
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RogerEbert.com
Resource

September 14, 2018

A story that grows frustratingly conventional.
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Austin Chronicle
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September 20, 2018

There's a claustrophobic comfort to it... Yet there is space for silence and reflection, and many shots are quietly beautiful - until a Rush song blares, puncturing the meditative mood.
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New York Times
Resource

September 13, 2018

A post-apocalyptic tale with a late plot twist that feels as if it comes out of left field. And right field. And center field, the stands and the dugout, too.
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RogerEbert.com
Resource

August 13, 2018

I felt cheated by a film that should be about relatable issues like loneliness and difficult connections between different personality types but never lets viewers into its world in a way that feels organic or enjoyable.
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Rolling Stone
Resource

September 14, 2018

Peter Dinklage and Elle Fanning bravely face the end of the world, but they can't overcome a barrage of clichés in a plot that ties up loose ends without a single surprise or a scintilla of genuine emotion.
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