House Of 1000 Corpses
In an attempt to make a book to attract terrorist, two couples, go on a journey in the roadside, searching for Dr. Satan, a legendary, the thing that makes their lives in danger, as their car has burnt, leaving them alone in the street, where they find a house of strangers, who soon discover that they are from cannibalism.
23 November 1971, Louisville, Kentucky, USA
1 October 1925, Ashley, Pennsylvania, USA
11 November 1951, Stamford, Connecticut, USA
20 March 1950, Chicago, Illinois, USA
20 January 1966, Seattle, Washington, USA
11 November 1968, Boston, Massachusetts, USA
13 March 1930, Port Huron, Michigan, USA
30 May 1939, Passaic, New Jersey, USA
14 March 1964, Indianapolis, Indiana, USA
9 October 1972, St. Louis, Missouri, USA
11 November 1940, Taft, California, USA
1 November 1924
28 December 1935, Evanston, Illinois, USA
26 September 1970, San Jose, California, USA
12 January 1965, Haverhill, Massachusetts, USA
16 March 1952, New York City, New York, USA
10 November 1971, Birmingham, Alabama, USA
13 November 1970, Denver, Colorado, USA
1 July 1939, Park Ridge, Illinois, USA
17 May 1973, West Chester, Pennsylvania, USA
14 July 1939, Fresno, California, USA
April 29, 2009
Cheesy, vapid, contrived, and shallow...
September 24, 2007
I can applaud House of 1000 Corpses on at least one level: The movie has absolutely no interest whatsoever in sanitized horror.
July 03, 2007
Le réalisateur cite abondamment, mais ne parvient jamais à donner un sens à ses élans qui finissent par s'éparpiller dans un fourre-tout incohérent et anormalement tapageur
April 28, 2014
Rob Zombie's House of 1000 Corpses has nostalgia on its side but not much else.
April 16, 2003
House of 1000 Corpses isn't coherent, exactly, but what dripping-ghoul horror movie is these days?
October 30, 2014
Rob Zombie's House of 1000 Corpses is a movie by a man without any sense of modulation.
April 15, 2003
A cobwebbed, mummified horror entry that makes obvious, cartoonishly grotesque demands for attention.
April 18, 2003
Possibly the greatest waste of celluloid since Jerry Lewis was first allowed to stand before a camera.
February 09, 2014
This in-your-face homage to The Texas Chainsaw Massacre is the most unrelentingly sadistic flick to come out of Hollywood in quite some time.
April 18, 2003
In this field of endeavour, any intense reaction is unsustainable, for the obvious reason that the guiding principle of repetition comes with an inevitable corollary and unavoidable side-effect -- sheer boredom.
April 15, 2003
Wit follows coherence out the window.
April 25, 2003
Zombie wants his film to be gleefully demented, but he fails to grasp that loud, inbred evil people torturing stupid, grating benign people isn't disturbing as much as tedious.
