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Hands of Stone
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Hands of Stone
CRITICS OF "Hands of Stone"
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Film Inquiry
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December 06, 2016

Hands of Stone is a serviceable, reasonably entertaining biopic of Roberto Durán, with first rate performances that elevate it above its pedestrian execution.
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Huffington Post
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December 05, 2016

Though the scenes in the ring are the equal of any, the drama progresses rather like something we have all seen before.
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Arkansas Democrat-Gazette
Resource

November 15, 2016

As far as bio-pics go -- especially of still-living subjects -- we could not hope for anything more candid.
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En Filme
Resource

December 20, 2016

Although the film has all the ingredients of a boxing drama, the editing isn't interesting and only offers a set of irregular images. [Full review in Spanish]
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RogerEbert.com
Resource

August 26, 2016

In trying to encompass way too much, Hands of Stone ends up feeling superficial and unsatisfying.
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Hindustan Times
Resource

January 01, 2017

A hard-nosed biopic of the Panamanian prizefighter Roberto Duran, Hands of Stone is primarily a showcase for Edgar Ramirez.
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Detroit News
Resource

August 26, 2016

"Hands of Stone" is less like a boxing flick and more like a professional wrestling battle royale with all its different subplots angling for main event status.
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ReelViews
Resource

August 27, 2016

Traditional and uninspired, it does an adequate job of relating Duran's story but falls short of providing an engaging cinematic experience.
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Hindustan Times
Resource

December 08, 2016

It is a truth universally acknowledged, that a sports movie in possession of a good story, must be a boxing movie.
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San Diego Reader
Resource

August 27, 2016

There are some engaging asides about Arcel's struggles with boxing's dirty underbelly, but they feel like they belong to a different movie. (De Niro's superfluous and soporific voiceover, however, belongs in no movie whatsoever.)
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New York Daily News
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August 26, 2016

It's engaging, sure, with some fast-paced and capable fight sequences.
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indieWire
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December 31, 2016

All this cacophony of backstory ends up being counterproductive, especially when the film tries to convey what makes this fighter worthy of tribute (or forgiveness or reconsideration, depending on your perspective).
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