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Gambit
A film is directed by Michael Hoffman and starring Colin Firth, Cameron Diaz, Alan Rickman that follows Curator Harry Deane is a specialist in art, but he absolutely finishes his mission assigned from his insane boss. As a result, he takes a plan to play a trick with his boss.
4 December 1965, St. Marylebone, London, England, UK
2 June 1960, Bromley, Kent, England, UK
20 July 1968, West Drayton, Hillingdon, Middlesex, England, UK
31 July 1964, Messina, Sicily, Italy
30 April 1926, Des Moines, Iowa, USA
1948, North Carolina, USA
5 October 1963, Hiroshima, Japan
11 November 1960, Peekskill, New York, USA
8 March 1957, Sheffield, England, UK
12 August 1953, London, England, UK
June 30, 2014
... feels like a first draft of a dusty script that was pulled from the bottom of a drawer without being polished prior to production.
May 27, 2014
Firth and Diaz, game as they are, look lost and disappointed most of the time during Gambit, as though they pictured themselves making Burn After Reading, and instead found themselves in The Ladykillers.
May 23, 2014
The director behind Soapdish and The Last Station is generally reliable, but he can't keep up with the Coens' fast paced dialogue.
May 10, 2016
Colin Firth is decidedly much better than the role and the lines he's given.
April 24, 2014
Firth is solid as always. He fits his tailored suits and rectangular glasses to a T. Diaz fares less well.
June 06, 2016
It feels like a film that's been cut down along the way in an attempt at commercial salvation.
November 13, 2012
'Gambit' is like drinking cheap, warm champagne from a plastic cup.
April 27, 2014
This nominal remake of the 1966 art caper that starred Michael Caine and Shirley MacLaine has all the fizz of flat soda ...
July 08, 2014
So-so remake of '60s caper has slapstick, brief nudity.
April 24, 2014
"Gambit" is a trans-Atlantic delivery of "meh."
November 08, 2012
Even with a script by the Coen brothers, and a classy international cast led by Colin Firth, this contemporary London caper movie falls far short of its potential even as a lightweight comic romp.
May 01, 2014
When the movie veers away from the verbal gymnastics of a bunch of colorful dopes out-dumbing one another and into overindulged farce, the specificity of the Coens' writing begins to fade.
