Full Frontal
The film concentrates on complex relationship of Linda , Gus, Carl and his wife who falls in love with Calvin. They must face terrible things in sex, lies and videotape which change their life.
12 April 1968, New York City, New York, USA
14 January 1963, Atlanta, Georgia, USA
1 October 1974, Fort Smith, Arkansas, USA
10 May 1977, Houston, Texas, USA
28 August 1962, Denver, Colorado, USA
6 September 1972, Chicago, Illinois, USA
1 January 1957, Chicago, Illinois, USA
5 June 1962, Chicago, Illinois, USA
14 February 1963, Toronto, Ontario, Canada
5 January 1978, Sioux Falls, South Dakota, USA
29 December 1969, Los Angeles, California, USA
29 August 1965, Columbus, Ohio, USA
28 June 1948, Brooklyn, New York, USA
20 January 1966, Seattle, Washington, USA
18 December 1963, Shawnee, Oklahoma, USA
8 February 1969, Plainfield, New Jersey, USA
25 August 1964, Tacoma, Washington, USA
3 April 1959, Saratoga Springs, New York, USA
26 September 1937, Brooklyn, New York City, New York, USA
11 May 1970, South Dakota, USA
June 23, 2004
Soderbergh's movie likely will appeal more to filmmakers than filmgoers.
January 06, 2004
Click to read review
October 28, 2003
a dizzyingly convoluted exploration of sex, art, identity and reality
February 11, 2010
The most dense, fascinating collage of notions and meta-narrative references and formal tinkering in Soderbergh's whole career.
August 08, 2002
Mr. Soderbergh's direction and visual style struck me as unusually and unimpressively fussy and pretentious.
December 24, 2010
Some vivid moments, but overall, just so-so.
August 05, 2002
Full Frontal is like the 'Special Features' disc of the DVD without the original movie.
August 09, 2002
The best you can say about Full Frontal, an ensemble piece that flirts with ideas about illusion and reality, is that the movie qualifies as a failed experiment.
February 13, 2008
It's a doodle movie, a sketchbook. I was held by the tinkering quality of it, though.
August 08, 2002
A boring, amateurish, incomprehensible and stupefyingly pretentious pile of swill.
August 03, 2002
When improv is done well, it sheds a unique light on the human condition. When it is done adequately, as it is in Full Frontal, it simply makes you long for a good script and pricey production values.
August 11, 2002
Soderbergh is so busy trying to create his movie-within-a-movie -- and, in at least one instance, his movie-within- a-movie-within -a-movie -- that he botches the enclosing movie.
