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First Reformed

Description
A drama movie that full of thriller events following a man called Toller. Toller is a former military chaplain saddened by his grief over the death of his son, his faith is tested by Mary, a church member who has widened after the suicide of her husband, the extreme scientist.
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First Reformed
CRITICS OF "First Reformed"
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Sunday Times (UK)
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July 18, 2018

The film can't quite summon the anguish to go full Taxi Driver - the conclusion balks right at the edge of the abyss - but Schrader's images have never been crisper, and Hawke is transfixing.
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The Mail on Sunday (UK)
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July 17, 2018

Bleak...and slightly barking.
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London Evening Standard
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July 17, 2018

Schrader is the divine mortal who wrote Taxi Driver and Raging Bull. He's as passionate as ever; what he has lost is his discipline.
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Hot Press
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July 23, 2018

Masterful.
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Toronto Star
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May 31, 2018

First Reformed deserves all praise.
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Irish Times
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July 23, 2018

You won't see a more textured film this summer.
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Minneapolis Star Tribune
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May 31, 2018

"First Reformed" is a miracle in its own regard, the rare type of film that leaves us with questions left to answer and for many, a desire to dig into it deeper through a second viewing.
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Globe and Mail
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June 01, 2018

Ultimately its sheer archness reveals Paul Schrader as a gifted and deeply persuasive evangelist of the transcendental style - if not quite a canon saint.
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Spokesman-Review (Washington)
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July 20, 2018

Schrader wastes the good work of cinematographer Alexander Dynan - whose framing of every scene is flawlessly precise - and by Hawke, who continues to evolve as an actor in independent productions such as this.
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Detroit News
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June 01, 2018

"First Reformed" takes some wild, unexpected and uncomfortable turns in its final act that will surely shock some, anger others and disturb just about everyone. For Schrader, it shows that he's still got it. Welcome back.
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Dallas Morning News
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May 31, 2018

This is a movie about faith tested, and people trying to reconcile hope with a world that can feel hopeless. It's a film to be seen in a dark theater with an audience hushed in reverence of the power of cinema.
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Houston Chronicle
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June 07, 2018

The latest film from pugnacious director/writer Paul Schrader is as austere and revelatory as a church confessional...It's a bleak portrait of a man in the midst of a spiritual breakdown that is only slightly undone by its rather unsatisfying conclusion.
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