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ACTORS OF "Fahrenheit 451"
Alfie Bass
Alfie Bass

8 April 1916, Bethnal Green, London, England, UK

Ann Forrest Bell
Ann Forrest Bell

29 April 1938, Wallasey, Cheshire, England, UK

Alan Ford
Alan Ford

23 February 1938, London, England, UK

Eric Mason
Eric Mason

John Morris
John Morris

Arthur Cox
Arthur Cox

7 April 1934, Banbridge, County Down, Northern Ireland, UK

Gillian Aldam
Gillian Aldam

February 2, 1941 in Romford, Essex, England, UK

Donald Pickering
Donald Pickering

15 November 1933, Newcastle-on-Tyne, England, UK

Michael Mundell
Michael Mundell

20 March 1942

Mark Lester
Mark Lester

11 July 1958, Oxford, Oxfordshire, England, UK

David Glover
David Glover

September 24, 1927 in London, England, UK

Anton Diffring
Anton Diffring

20 October 1918, Koblenz, Germany

Alex Scott
Alex Scott

18 September 1929, Australia

Jeremy Spenser
Jeremy Spenser

16 July 1937, London, England, UK

Terry Sartain
Terry Sartain

February 6, 1930 in Windsor, Berkshire, England, UK

Denis Gilmore
Denis Gilmore

14 August 1949, Hillingdon, Middlesex, England, UK

Oskar Werner
Oskar Werner

13 November 1922, Vienna, Austria

John Rae
John Rae

21 June 1895, Perth, Scotland, UK

Reg Thomason
Reg Thomason

November 29, 1918 in London, England, UK

Kevin Eldon
Kevin Eldon

1960, Kent, England, UK

Tom Watson
Tom Watson

21 March 1932, Auchinleck, Strathclyde, Scotland, UK

Frank Cox
Frank Cox

December 4, 1920 in Cardiff, Wales, UK

Michael Balfour
Michael Balfour

11 February 1918, Dover, Kent, England, UK

Gillian Lewis
Gillian Lewis

1935 in Tisbury, Wiltshire, England, UK

Anna Palk
Anna Palk

23 October 1941, Looe, Cornwall, England, UK

Cyril Cusack
Cyril Cusack

26 November 1910, Durban, Natal, South Africa

Fred Cox
Fred Cox

December 4, 1920 in Cardiff, Wales, UK

Caroline Hunt
Caroline Hunt

Bee Duffell
Bee Duffell

17 April 1914, Belfast, Ireland [now Northern Ireland], UK

Julie Christie
Julie Christie

14 April 1940, Chabua, Assam Province, British India [now Assam, India]

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Fahrenheit 451
CRITICS OF "Fahrenheit 451"
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TV Guide
Resource

June 05, 2007

A marvelously courageous personal statement that becomes more fascinating with time.
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EmanuelLevy.Com
Resource

July 02, 2005

While not one of Truffaut's strongest film, it is nonetheless one of his few explicitly political works and also boasts sharp imagery by Roeg) and indelible score by Herrmann.
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Cinema em Cena

April 17, 2005

É trágico constatar que a visão de Bradbury vem tornando-se cada vez mais real: a diferença é que, em vez de queimados, os livros vêm sendo simplesmente ignorados.
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CinePassion
Resource

October 26, 2009

Truffaut faces Bradbury's abstractions head on, not as science-fiction but as humanistic fairy-tale
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Time Out
Resource

January 26, 2006

An underrated film, perhaps because it is less science fiction than a tale of 'once upon a time.'
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LarsenOnFilm
Resource

October 29, 2010

Bradbury's 1954 vision of a totalitarian society where technology is worshiped and books are burned has been neutered and consigned to camp.
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New York Times

May 20, 2003

Holy smoke! What a pretentious and pedantic production he has made.
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Chicago Reader
Resource

June 05, 2007

This 1966 film often looks good (it was Truffaut's first in color, photographed by Nicolas Roeg), but the ideas, such as they are, get lost in the meandering narrative.
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Combustible Celluloid
Resource

January 31, 2008

On the downside, it doesn't particularly feel like a Truffaut film, but on the upside, it's a decent entry in the sci-fi genre.
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Variety
Resource

June 05, 2007

With a serious and even terrifying theme, this excursion into science fiction has been thoughtfully directed by Francois Truffaut and there is adequate evidence of light touches to bring welcome and needed relief to a sombre and scarifying subject.
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Quickflix
Resource

September 16, 2014

Truffaut's movie clearly suffered from a troubled shoot - Truffaut didn't actually know English - so his oddball take on the material succeeds in only fits and bursts.
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The New Republic
Resource

August 30, 2012

Even at the science-fiction horror-story level, the movie fails -- partly, I think, because Truffaut is too much of an artist to exploit the vulgar possibilities in the material.
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