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Embers
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DIRECTORS OF "Embers"
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CREATORS OF "Embers"
Embers
CRITICS OF "Embers"
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The Playlist
Resource

July 29, 2016

Attempts to be a complicated dissection of a possible world not too far ahead of us, but it lacks the imagination to make us soar along with its vision.
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SciFiNow
Resource

July 29, 2016

A powerful, thoughtful and moving work of science-fiction that engages the head and the heart.
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Sight and Sound
Resource

April 27, 2016

Carré weaves from her ensemble amnesi-apocalypse a reflection of the human condition as philosophically compelling as it is emotionally intelligent, while celebrating our species' tenacious resilience...
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Hammer to Nail
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August 05, 2016

There's much to like in Carré's impressive film.
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indieWire
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April 11, 2016

An elegant, brooding drama with a sprawling international cast, the movie presents its haunting premise with barely any explanation, leaving viewers to steadily make sense of the chaos along with the confused protagonists.
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ChaseWhale.com
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August 06, 2016

Wildly impressive, Claire Carré's science fiction indie, Embers takes visceral cinema with a small budget and colossal imagination to exciting new heights.
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Variety
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April 11, 2016

Claire Carre's debut feature could be described as a mass-scale Memento, but that thumbnail sketch misses both the pic's impressive conceptual breadth and its numbing dramatic stasis.
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Los Angeles Times
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August 05, 2016

While one wishes Carré, who shares screenplay credit with Charles Spano, might have hung those stirring visuals on more involving plotting, "Embers" nevertheless makes a strong, not to mention timely, impression.
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Birth.Movies.Death.
Resource

August 01, 2016

EMBERS is stunning and contemplative, a science fiction film that is as emotional as it is intellectual.
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Hollywood Reporter
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April 11, 2016

It's metaphorical aspects like that, and the striking visuals that delineate the stark contrast between the worlds above and below ground, that make Embers memorable.
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Chicago Reader
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April 11, 2016

Carré succeeds in creating a haunted mood. The mood is so strong, in fact, that it overwhelms any sense of narrative development -- the movie feels a bit like a video-art installation expanded to feature length.
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L.A. Weekly
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August 05, 2016

A lovely meditation on identity and the difficulties of personal connection, Embers is a descendent of Andrei Tarkovsky's Stalker in both tone and mise en scène.
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