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Carnage
It's a film that tells the story of two 11-year-old boys named Zachary and Ethan. The two children engage in real violence, with Ethan losing his teeth due to this violence. Their parents hold a meeting to solve the problem, but things turn out to be a bad thing.
17 October 1926, Waterloo, Iowa, USA
24 May 1965, Chicago, Illinois, USA
12 April 1998, Paris, France
5 October 1975, Reading, Berkshire, England, UK
19 June 1942, New York, USA
4 October 1956, Vienna, Austria
19 November 1962, Los Angeles, California, USA
June 12, 2014
Few recent movies have been this perceptive about such immediate human conflicts, much less this funny.September 25, 2013
Running a mere 80 minutes, "Carnage" still feels longer than it should.September 08, 2013
Statically filmed by Polanski the film version lacks punch and zest.May 03, 2015
The funniest movie I saw last year. A short, tart, altogether delectable slice of misanthropy.January 13, 2012
The actors seem to have fun, particularly Foster, working against type as the thoroughly unlikable Penelope. But "Carnage" isn't nearly as bloody as it thinks it is.October 07, 2015
"Carnage" is just another in a long line of improbable movie depictions of New York as seen in "Sex and the City" and other such drivel.January 13, 2012
What are supposed to be transgressive observations about the holy state of parenthood and matrimony instead come across as self-satisfied and shallow as the pieties Reza intends to puncture.January 31, 2012
Brief, brutal and barmy.September 14, 2014
While the film, at a staggering and quick 80 minute runtime, plays exceedingly well off the energy of the performers, the downfall ultimately lies in a "loss of steam" vigor that is evident by picture's end.January 13, 2012
Where previously we felt as trapped in Polanski's apartments as his characters, in Carnage we only ever peek in through the window.January 13, 2012
If we grant that "Carnage" is a low-impact exercise in stripping away the social veneer, it's nonetheless brisk and enjoyable.February 04, 2015
The acting marathon is adroitly blocked and paced by Polanski and impeccably shot by Pawel Edelman.