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Bonnie And Clyde
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Bonnie And Clyde
CRITICS OF "Bonnie And Clyde"
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Ozus' World Movie Reviews
Resource

July 25, 2010

Goes overboard in its homage to a vicious team of bank robbers and killers.
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Urban Cinefile
Resource

August 14, 2008

Faye Dunaway and Warren Beatty deliver pitch perfect performances as Bonnie and Clyde, with characterisations that are layered and engaging. Beatty's bravado is infectious, and Dunaway's abandon is life affirming - if doomed.
Gomovies
PopMatters
Resource

May 01, 2008

Those returning to Bonnie and Clyde with this well-deserved special edition could well be shocked by how, well, shocking it is.
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ColeSmithey.com
Resource

September 18, 2014

[VIDEO ESSAY] a seamless balancing act. Equal parts true-crime exposé, dysfunctional love story, and Depression-era think piece, the picture underscores American police departments' longstanding proclivity for short cuts to justice, i.e. murder.
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New Yorker
Resource

August 30, 2012

Bonnie and Clyde is the most excitingly American American movie since The Manchurian Candidate. The audience is alive to it.
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Blog de cine
Resource

March 13, 2017

'Bonnie and Clyde' moves between comedy and drama, making an energetic portrait of an America sunk in the depression, made in another vital period, in which the cinema changed to forced marches. [Full review in Spanish]
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Village Voice
Resource

November 12, 2008

Considered New Hollywood's moment of arrival, tipping square critic Bosley Crowther into retirement (The New York Times, they were a-changin').
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Hollywood Reporter
Resource

August 14, 2015

[A] film ... destined to be among the year's most discussed, honored and profitable.
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Antagony & Ecstasy
Resource

August 21, 2014

After nearly a half century, the film's influence is still overwhelming and obvious.
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New Yorker
Resource

January 14, 2013

Bonnie and Clyde don't really know that killing kills. The film does -- unlike the run of movies about violence now, which mostly know that killing sells.
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TIME Magazine
Resource

August 22, 2008

Like Bonnie and Clyde themselves, the film rides off in all directions and ends up full of holes.
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The New Republic
Resource

August 10, 2016

A hybrid, an ambivalence, an alternation of achievements and collapses, an attempt to have both ways something not clearly enough seen in either.
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