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Bereavement

Description
The horrific events of Martin Bristol, a six-year-old boy, seem to be facing a different fate than other boys. He is a young boy with a congenital lobe, abducted from his backyard swing. Now, it seems very scary when Martin was forced to watch the brutal crimes of a madman.
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DIRECTORS OF "Bereavement"
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CREATORS OF "Bereavement"
Bereavement
CRITICS OF "Bereavement"
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Milwaukee Journal Sentinel
Resource

March 17, 2011

"Bereavement" is cruel and unusual.
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Slant Magazine
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March 09, 2011

The film is so laughably Freudian it could play as a parody of certain acclaimed horror film studies such as Men, Women and Chainsaws: Gender in the Horror Film.
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Capital Times (Madison, WI)
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March 04, 2011

"Bereavement" isn't a bad slasher film, but after a few stabs (no pun intended) at being something more, it settles for being just a slasher film. And that's disappointing.
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NYC Movie Guru
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March 19, 2011

Palinesque, bland and increasingly silly with oodles of unintentional humor instead of what every horror fan expects: palpable scares.
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Newsday
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March 09, 2011

Virtually every shot in Bereavement -- a sort of prequel to Mena's Malevolence (2005) -- is the right one; the editing, also by Mena, is first-rate.
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Little White Lies

October 19, 2012

while Bereavement is certainly a slasher, it is also a film about how monsters are made, in which every character, hero and villain alike, is figured as tragic prey to genes and circumstance.
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Minneapolis Star Tribune
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March 03, 2011

This is an example of what happens when a clever, proficient filmmaker falls in love with brutal trash.
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New York Times
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March 18, 2011

I'd sooner touch a nine-volt battery to my tongue than sit through this film again.
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NYC Film Critic
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March 17, 2011

Gruesome in the moment, but your memory of it is easily wiped clean.
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Village Voice
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March 15, 2011

Bereavement -- miraculously as dull as its title -- is neither far gone enough to be funny nor well thought-out enough to be disturbing.
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TheHorrorShow
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August 26, 2015

Evidence of a group of filmmakers who take their horror seriously.
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Hollywood Reporter
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March 19, 2011

Effective atmospherics don't rescue this formulaic slasher flick.
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