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Artificial Intelligence AI
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Artificial Intelligence AI

Description
The movie is full of adventures about robot-like David, who is like a human child and has the ability to love so that a human family can raise them as their second child. Events follow until the end, when the planet hits a new ice age. David is extracted from the snow and modified by high-tech aliens with fantastic technology. To become a human child to return to his family.
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DIRECTORS OF "Artificial Intelligence AI"
Artificial Intelligence AI
CRITICS OF "Artificial Intelligence AI"
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Antagony & Ecstasy
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February 14, 2010

A "good" A.I. would be of infinitely less value than the A.I. that we have...a staggering creation.
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City Pages, Minneapolis/St. Paul
Resource

September 01, 2009

Steven Spielberg tries to rescue the world's most elusive filmmaker from an unhappy ending.
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Film4
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June 17, 2008

Shows a more complicated understanding of childhood than you would expect...
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Suite101.com
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September 25, 2010

An unsettling sci-fi fairytale mélange of "Pinocchio" and "The Wizard of Oz" that's elegantly written, visually opulent and thematically challenging and discontented. One of Steven Spielberg's finest, and most fiercely misread, films.
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New York Magazine/Vulture

October 29, 2001

Temperamentally, Spielberg and Kubrick are such polar opposites that A.I. has the moment-to-moment effect of being completely at odds with itself.
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IGN DVD
Resource

May 16, 2011

Flawed, to be sure, but beautifully crafted, unimaginably complex, visually dazzling, rich with metaphor and deeply affecting.
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Miami Herald

July 16, 2001

The most puzzling, trippiest piece of pop fantasy of Spielberg's career.
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Time Out
Resource

August 16, 2007

At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.
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Common Sense Media
Resource

September 02, 2010

Provocative movie suitable for teens.
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Time Out
Resource

February 09, 2006

At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.
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Chicago Reader

July 16, 2001

The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr. Strangelove in 1964.
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Film.com
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April 21, 2011

A confined domestic drama, a considerable morality tale, a fleeting futuristic noir, a persecution parable, an on-the-nose fairy tale adventure... and then it keeps going.
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