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Anti-Social
Dee is an anarchic street-artist confronting the system, Marcus is an armed robber on a jewellery store crime-wave. For both Dee and Marcus, being Anti-Social is a way of life. Challenging the system, Dee's graffiti unintentionally enchants the art-elite and he enters the gallery world, embracing the lifestyle with fashion-model girlfriend Kirsten. Meanwhile, Marcus' daredevil heists gain him credibility with an organised-crime syndicate and his aspirations drastically escalate.
27 December 1984, Hungary
September 16, 1964
28 October 1957, Berlin, Germany
4 August 1981, Los Angeles, California, USA
April 30, 2015
The film displays remarkable energy and fun, although the London gangster milieu and its "blud'n'bruv" slang is overused.April 27, 2015
A painful slog through geezer-thriller terrain.April 30, 2015
Traviss is clearly searching for cockney cool and "lots of layers, like life" but can't find either in the one-note flimsiness of the plastic plot that's worsened by weak ensemble acting.January 01, 2016
Only at the end does Anti-Social get going with a genuinely tense finale. Or perhaps I was just glad that everyone had stopped talking.May 04, 2015
Lairy geezer action sits awkwardly alongside dreary discussions of the politics of street art in writer/director Reg Traviss's uninspiring crime caper.April 30, 2015
It's essentially constructed from crime-film cliches, that could claim a pension and, worst of all, it's way too long.December 22, 2016
Writer-director Reg Traviss gives the shoot-outs plenty of welly, but the dialogue is mostly dire and the action sometimes grinds to a halt for an earnest oration on the politics of graffiti art or postcode gang violence.