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Anatomy of a Murder
CRITICS OF "Anatomy of a Murder"
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Scene-Stealers.com
Resource

March 09, 2012

Even with the glut of crime-related TV dramas that pepper today's screens, you'd be hard pressed to find a courtroom story that doesn't have you rooting one way or the other with a heavy-handed POV. This one doesn't it's way ahead of its time.
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Q Network Film Desk
Resource

March 01, 2012

simultaneously plays by and punctures the expectations of the courtroom thriller
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Movie Metropolis
Resource

February 23, 2012

As courtroom thrillers go, it has few peers.
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Film International
Resource

June 08, 2012

(Stewart's character) finishes the film an enigma, possibly the good go-getter of Capra but too much of a shadow.
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Time Out
Resource

June 24, 2006

Coolly absorbing, nonchalantly cynical.
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Radio Times
Resource

November 06, 2013

This is probably the greatest courtroom drama ever made and it features James Stewart's finest screen performance.
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New York Times

May 20, 2003

It is the best courtroom melodrama this old judge has ever seen.
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Variety
Resource

October 23, 2007

Preminger purposely creates situations that flicker with uncertainty, that may be evaluated in different ways. Motives are mixed and dubious, and, therefore, sustain interest.
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Creative Loafing
Resource

April 25, 2012

Otto Preminger, no stranger to ruffling moral-watchdog feathers, never succumbs to the sleaziness inherent in the material, instead turning out an intelligent and tightly controlled drama that ranks as one of the all-time great courtroom procedurals.
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Chicago Reader
Resource

October 23, 2007

As an entertaining look at legal process, this is spellbinding all the way, infused by an ambiguity about human personality and motivation that is Preminger's trademark, and the location shooting is superb.
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Total Film
Resource

November 06, 2013

Otto Preminger's cynical view of the judicial system is curiously contemporary and still serves as a blueprint for numerous TV 'tec shows.
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TIME Magazine
Resource

April 24, 2009

At 160 minutes, Anatomy is longer than the subject warrants, but the pace seldom slackens -- thanks to the competence of Director Otto Preminger.
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