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After.Life
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After.Life

Description
A woman (Christina Ritchie) woke up after a serious car accident, where she finds herself in front of the mysterious world of the dead (Liam Neeson), which is preparing for burial. It seems that the woman will be trapped inside the funeral home, without anyone resorting to help them completely. Now, circumstances force her to face her deep fears and accept her death.
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DIRECTORS OF "After.Life"
After.Life
CRITICS OF "After.Life"
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Little White Lies

September 07, 2010

takes its ambiguities all the way to the grave - and beyond.
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Q Network Film Desk
Resource

August 12, 2010

makes you think too much about what it's doing, rather than what it's about, thus drawing you away from the deeper philosophical questions of life and death at its core
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WBAI Radio
Resource

August 03, 2010

Born again Ricci haunts a mortuary, while perfecting post-mortem freaky in the nude. This may or may not be your cup of embalming fluid, whether intriguing those with unconventional viewing preferences, or seriously creeping you out.
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IGN DVD
Resource

October 14, 2010

Despite the meandering pace, and lack of fearsome thrills, After.Life is a chilling fairytale that grabs you and takes you on a strangely hypnotic ride.
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New York Observer
Resource

April 14, 2010

It's too dull for grown-ups and too nightmarish for children. It makes Nip/Tuck look like a Mel Brooks musical.
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Movies.com
Resource

April 04, 2011

You should just go see it for yourself. Unless you shouldn't.
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Arizona Republic
Resource

April 14, 2010

Best of all is Neeson, who is nicely creepy. Whether he's genuinely gifted or knuckle-chewing insane, he's not the kind of guy you'd want to spend time with, either way.
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NPR
Resource

July 17, 2010

It dresses up boilerplate horror in a classy shell, yet never gives it the pulse it needs.
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Future Movies UK
Resource

September 11, 2010

There is too much reliance on one character's word against another which leads the audience back and forth over the truth.
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Hollywood Reporter

July 06, 2010

A stylish piece of horror-movie hokum.
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New York Times

April 09, 2010

Ms. Wojtowicz-Vosloo seems to have spent too much time trying to make an art-house chiller instead of an effective film.
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Chicago Reader
Resource

January 03, 2011

Thematic rigor mortis sets in long before the final reel.
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